Cannonball Adderley - Them Dirty Blues [1960]
http://www.sendspace.com/file/30dxg0
Lars Gunnar Victor Gullin (4 May 1928, Sanda, Gotland – 17 May 1976) was a Swedish jazz baritone saxophone player, occasional pianist and composer closest in playing style to United States Cool school players, with a full tone, but also a lightness uncommon with baritone saxophonists and an influence from Swedish folk music, which helps make his music unique.
Lars Gullin was a child prodigy on the accordion. At age thirteen, he played clarinet in a military band and later learned the alto saxophone, but after moving to Stockholm in 1947, became a professional musician as a pianist. He planned on a classical career, studying privately with classical pianist Sven Brandel. Although he actually filled the baritone chair in Seymour Osterwall's band in 1949 by chance, it was enough for him to decide that it was an instrument with possibilities, influenced too by hearing the United States baritone saxophonist Gerry Mulligan for the first time on the Birth of the Cool recordings.
Lars Gullin - Portrait Of My Pals [1965]
http://www.sendspace.com/file/gekdk1
Recording made live in Buenos Aires, Radio Municipal Auditorium during the broadcast of their programs in the month of April 1964.
Horacio Malvicino - Jazz Quintet [1964]
http://www.sendspace.com/file/irhcoj
Saxophonist, composer, and arranger Jean Pierre Zanella is a much sought-after artist on the Quebec music scene. On Mother Tree, the multi-talented Zanella is accompanied by longtime quartet members Michel Donato on acoustic bass, James Gelfand on piano, Paul Brochu on drums, and Alain Labrosse on percussion. Guests Daniel Zanella and Guy Thouin round out the ensemble's performance on nine stellar songs. Jean Pierre Zanella wrote five of the nine songs, and has referred to the title track as one that is symbolic of motherhood and all it represents.
Jean Pierre Zanella - Mother Tree [2002]
http://www.sendspace.com/file/e5zrpt
This exceptional release features Booker Little's complete recorded discography as a leader with tenor saxophone virtuoso George Coleman. The October 1958 album Booker Little 4 & Max Roach and September 1961 release Booker Little and Friend mark the trumpeter's recording debut as a leader and his final album respectively. The listener is thus afforded here the rare opportunity to chart the development of one of jazz's greatest instrumentalists on one single CD.
Booker Little - Complete Recordings Featuring George Coleman
http://www.sendspace.com/file/b9xyou
J.J. Johnson's great 1956-1957 quintet played modern jazz with authority, imagination, taste and feeling. Its leader was the trombonist of the era, much emulated and admired by his peers. The Belgian-born Jaspar, who had recently won the International Jazz Critics' New Star Award on tenor, proved an ideal foil and a capable modern-mainstream tenor sax and flutist, contributing impressively on both instruments. Flanagan, a superbly swinging pianist, also made an indelible mark on the group, which was graced initially with another bop piano great, Hank Jones, while Little and Elvin Jones' support throughout is admirable. It was an exhilarating band that fully displayed Johnson's well-rounded musicianship.
J.J. Johnson - J Is For Jazz [1956]
http://www.sendspace.com/file/w6t7j0
... (turn up speakers & be sure to pop all ten balloons) ... http://just4million.com/swf/Happy_New_Year_from_StumpySteve.swf
(\__/)
(='.'=) Dear Dorothy, Hate Oz. Took the shoes.
(")_(") Find your own way home!!! xoxo Toto
http://StumpySteve.com/forums
*********************
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.